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南和111【视频】- 阿洛拉和卡尔萨迪利亚的首次西班牙个展正于安东尼·塔皮埃斯基金会展出 艺术家-桑塔画廊

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【视频】| 阿洛拉和卡尔萨迪利亚的首次西班牙个展正于安东尼·塔皮埃斯基金会展出 艺术家-桑塔画廊

钢琴家Luca Leracitano 表演2008年行为作品《停止、修理、准备:用备好的钢琴演奏“欢乐颂”的变化 | Stop, Repair木耳粉 , Prepare: Variations on “Ode to Joy” fora Prepared Piano》
阿洛拉和卡尔萨迪利亚(Jennifer Allora & Guillermo Calzadilla)同名个展
展期 Duration:2018/02/06 - 2018/05/20
地点 Location:安东尼·塔皮埃斯基金会(Fundació Antoni Tàpies),巴塞罗那
桑塔画廊荣幸的宣布魔道天君,阿洛拉和卡尔萨迪利亚(Jennifer Allora & Guillermo Calzadilla)的首次西班牙个展已于2月6日在巴塞罗那的安东尼·塔皮埃斯基金会(Fundació Antoni Tàpies)开幕,展览将持续至5月20日。
此次展览展出了阿洛拉和卡尔萨迪利亚于2005年至2018年间创作的一系列作品。这些作品从音乐的角度出发向观众展示了视觉服从听觉的可能性。2008年钢琴演奏作品-《停止、修理、准备:用备好的钢琴演奏“欢乐颂”的变化(Stop, Repair, Prepare: Variations on “Ode to Joy” fora Prepared Piano)》将观众指引到2007年的作品“一面会发声的墙”-《醒来(Wake Up)》,再辗转至二楼的2005年的作品-《希望河马(Hope Hippo)》中的哨声,声音使这些作品相互关联、相互作用。

钢琴家Luca Leracitano 表演2008年行为作品《停止、修理、准备:用备好的钢琴演奏“欢乐颂”的变化 |Stop, Repair, Prepare: Variations on “Ode to Joy” for a Prepared Piano》
一架钢琴的中央被挖空,演奏家站在其中为观众演奏贝多芬《D小调第九交响曲》的第四乐章美恩智,它还有个更响亮的名字-《欢乐颂》。这段乐曲从很久以前就代表了人类的博爱和友谊,这与中国的“文化大革命”、伊恩·史密斯的“白人至上主义”、“第三帝国”这些带有“排除异己”意味的观念完全不同。如今,《欢乐颂》已成为欧盟的官方国歌。 为了展现这个概念,演奏者必须站在准备好的钢琴中,身体跨过键盘,用上下颠倒的指法演奏,并将钢琴移动,使其穿梭在展览空间中。
| 展览现场图 |

《停止、修理、准备:用备好的钢琴演奏“欢乐颂”的变化 |Stop, Repair, Prepare: Variations on “Ode to Joy” for a Prepared Piano》,准备好的Bechstein钢琴,演奏家,2008,40 x 67 x 84 in, 15分钟



《希望河马| Hope Hippo》,泥,哨,日报,演出者,2005八毛门 ,16 x 5 x 4 ft

| 关于艺术家 |
阿洛拉和卡尔萨迪利亚 (Jennifer Allora & Guillermo Calzadilla )
詹妮弗·阿洛拉,1974年生于美国费城;列尔莫·卡尔萨迪利亚,1971年生于古巴哈瓦那市,两人现工作和生活于波多黎各。
阿洛拉和卡尔萨迪利亚于1995年开始共同创作。他们运用行为、雕塑、声音、影像和照片这些不同的媒介进行创作,孔垂燊通过对事物深入的研究,追溯历史、物质文化和政治批评的交汇点。
他们的作品曾被多家机构和私人收藏、展出,如2015年的艺术项目《波多黎各之光(Vientos地穴)》正在波哥尼亚的Dia艺术基金会展出的。
重要个展包括:法国大巴黎Royaumont皇家修道院(2016), 加拿大艾伯塔省立美术馆(2016),费城艺术博物馆和纺织工房博物馆(2014),意大利米兰Trussardi基金会(2013),第54届威尼斯双年展美国馆(2011),美国纽约现代艺术馆(2010),德国慕尼黑艺术之家(2008),荷兰阿姆斯特丹市立博物馆(2008),伦敦蛇形画廊(2007)。
他们的作品在多个大型国际展览中展出,如:阿联酋第13届沙迦双年展(2017)莫罗西尼 ,日本爱知三年展(2016),第51届和第56届威尼斯双年展(2005,2015),第13届卡塞尔文献展(2012),第5届、第7届和第10届光州双年展(2004,2008,2014)以及第24届和第29届圣保罗双年展(1998,2010)。
2017年,他们获得了纽约第十届想象科学电影节(Imagine Science Film Festival)的最具科学价值奖和观众奖(The Scientific Merit Award for science and The Audience Award)。
Allora & CalzadillaFebruary 6 - May 20, 2018Fundació Antoni Tàpies, Barcelona邬吉成, Spain.
For this exhibition at the Fundació Antoni Tàpies, their first solo show in Spain, Allora & Calzadilla present a selection of works produced between 2005 and 2018. The musical dimension of these pieces indicates to visitors that here, quite possibly, the visual is subordinated to the auditory. One work leads to another, so that Stop, Repair, Prepare: Variations on “Ode to Joy” for a Prepared Piano, 2008, can lead either to the wall emitting Wake Upca1835, 2007, or to the upper floor where Hope Hippo, 2005, can be heard thanks to the sound of a whistle.
An early twentieth-century Bechstein piano has a hole carved in the center, creating avoid through which a pianist stands to play the fourth movement of Beethoven's Ninth Symphony. Commonly known as the Ode to Joy唐悠悠扮演者 , this famous final chorus haslong been invoked as a musical representation of human fraternity and universal brotherhood in contexts as ideologically disparate as the Chinese Cultural Revolution, lan Smith's White Supremacist Rhodesia, and theThird Reich among many others. Today it is the official anthem of the European Union. Expanding the notions of both a prepared piano and a piano player, the performer must reach over the keyboard and resituate his or her fingering of the keys both upside down and backward, while at times physically mobilizing the instrument to trace a path through the exhibition space.
About Jennifer Allora & Guillermo Calzadilla:
Jennifer Allora (b. 1974, Philadelphia, USA) Guillermo Calzadilla (b. 1971, Havana, CUBA) Live and work in Puerto Rico.
Jennifer Allora and Guillermo Calzadilla have collaborated on an extensive body of work since 1995. Through a research-based approach, their work traces intersections of history, material culture, and politics through a wide variety of mediums, namely performance, sculpture, sound, video, and photography.
Their work has been exhibited and collected widely in public institutions and private collections and was presented for the special project Puerto Rican Light (Cueva Vientos) at Dia Art Foundation见习侦探团 , Guayanilla–Pe?uelas, Puerto Rico in 2015.
Their last solo shows include the Abbaye de Royaumont, Asnières sur Oise, France (2016); the Art Gallery of Alberta, Canada (2016)南和111 , Philadelphia Museum of Art and Fabric Workshop and Museum (2014); Trussardi Foundation, Milan (2013); Indianapolis Museum of Art (2012); the US Pavilion at the 54th Venice Biennale (2011); the Museum of Modern Art (2010); The National Museum of Art, Architecture and Design, Oslo (2009); Haus der Kunst林宗德, Munich (2008); Stedelijk Museum Amsterdam (2008); Serpentine Gallery, London (2007); Kunsthalle Zürich, Zurich (2007) and The Renaissance Society, Chicago (2007). Among numerous group exhibitions, they have participated to the Sharjah Biennial 13, U.A.E.; Aichi Triennial, Japan (2016), the 51st and 56thVenice Biennale (2005, 2015); Documenta 13, Kassel, Germany (2012); the 5th, 7th, and 10th Gwangju Biennials, South Korea (2004, 2008, 2014); and the 24th and the 29th S?o Paulo Biennial (1998, 2010).
In 2017, they were awarded The Scientific Merit Award for science and The Audience Award, at the 10th Annual Imagine Science Film Festival in New York (USA).
| 画廊正在展出 |

何塞·玛丽亚·西西里亚(José María Sicilia)个展“幽灵”(Phasma)
展期 Duration: 2018/01/27 - 2018/03/03
地点 Location: Galerie Chantal Crousel, 10 rue Charlot 75003 Paris.

10, rue Charlot 75003 Paris
T. +33 1 42 77 38 87
F. +33 1 42 77 59 00
galerie@crousel.com
opening hours: Tuesday-Saturday, 11am - 7pm

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